Recently dumped by his girlfriend, underachiever Alex (O'Nan) embarks on an impromptu road trip with his new bandmate, the eccentric Jim (Michael Weston). By channeling their inner children and giving a new meaning to the term "lo-fi," Alex and Jim find their unique style by bringing the sound of children's instruments to their unsuspecting fans. Playing a series of bizarre shows and experiencing multiple near-disasters, Alex and Jim's persistence takes them on a true coming-of-age journey - one that may be their last shot at achieving their childhood dreams. -- (C) Oscilloscope
Release Date The Brooklyn Brothers Beat The Best Sep 21, 2012 Limited
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Actors For The Brooklyn Brothers Beat The Best

Ryan O'Nan,Michael Weston,Arielle Kebbel,Melissa Leo,Andrew McCarthy,Jason Ritter,Christopher McDonald,Wilmer Valderrama,Jake Miller,Arielle Kebel

Genres The Brooklyn Brothers Beat The Best : Musical & Performing Arts,Comedy

Visitor Ranting & Critics For The Brooklyn Brothers Beat The Best

User Ranting The Brooklyn Brothers Beat The Best : 3.5
User Percentage For The Brooklyn Brothers Beat The Best : 65 %
User Count Like for The Brooklyn Brothers Beat The Best : 1,089
All Critics Ranting For The Brooklyn Brothers Beat The Best : 5
All Critics Count For The Brooklyn Brothers Beat The Best : 19
All Critics Percentage For The Brooklyn Brothers Beat The Best : 37 %

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Review For The Brooklyn Brothers Beat The Best

While the movie itself is an uneven, sometimes preachy affair, it's alive with possibilities whenever [Weston's] on screen.
John Hartl-Seattle Times

Initially, this low-budget film writes a lot of checks on the First National Bank of Whimsy, but I was astonished when none of them bounced.
Kyle Smith-New York Post

A likably goofy, lo-fi indie propelled by the syncopations of a cheesy keyboard - and the cheesy dreams of its hapless heroes.
Steven Rea-Philadelphia Inquirer

Inner child? Open road? No, this film is actually about Mr. O'Nan and his wan, scruffy innocence.
Andy Webster-New York Times

An indie about-tell me if this sounds familiar-a brokenhearted sad sack who travels cross-country with a weirdo and a too-hot-for-these-dorks woman on a road trip of healing and self-actualization.
Nick Schager-Village Voice

An offbeat, hipster-inflected road movie that steadfastly refuses to conform to expectation and sense. A to-scale victory of quirky charm and feeling over sagacity.
Brent Simon-Shared Darkness

O'Nan deciphers in comical yet solemn ways, young characters representing warring sides of himself. While doing battle with joblessness, alienation, working stiff drudgery, and existential redemption through art and the imagination.
Prairie Miller-WBAI Radio

This ode to indie legitimacy proves to be too cartoonish to feel real and not outrageous enough to be memorable ...
Marc Mohan-Oregonian

Do we really need another film about underachieving white men with scruffy beards? Ryan O'Nan thinks so.
Diego Costa-Slant Magazine

Offering little more than flat karaoke versions of Sundance-style hits, this is strictly an amateur-hour affair.
R. Emmet Sweeney-Time Out New York

It's just a shame about the script, which follows such a prescribed track of Alexander Payne-ish road-trippery that nothing really rings true.
Tim Robey-Daily Telegraph

It gets nowhere slowly.
Philip French-Observer [UK]

It may have some flaws but The Brooklyn Brothers Beat The Best is still the kind of underdog movie you want to clasp to your heart. It is an unexpected charmer.
Allan Hunter-Daily Express

The comedy is at odds, perhaps even at war, with the gravitational downward pull of bittersweet seriousness, and the sucrose content is pretty high by the end. But it's an entertaining film.
Peter Bradshaw-Guardian [UK]

O' Nan needs to retool and get some new material.
David Jenkins-Little White Lies

It's sweet in places, but too similar to every other eccentric film about a going-nowhere artist hiding his inner brilliance under passive-aggressive annoyingness.
Cath Clarke-Time Out

Good fun, but O'Nan doesn't take this film nearly as far as it could go, leaving the plot and its characters somewhat two-dimensional in their obvious stereotyping.
David Hughes-Empire Magazine

[A] highly likeable buddy movie.
Neil Smith-Total Film