Robert Longfellow (Martin Donovan) is a famous playwright who can't seem to catch a break. His recent Broadway play was met with horrible reviews and an early cancellation, and his marriage is being tested as an old flame (Olivia Williams) has reentered his life during a particular moment of weakness. Retreating back to his childhood home to visit his mother (Katherine Helmond), Robert crosses paths with his childhood neighbor, Gus (David Morse). A right-wing, ex-con who still lives at home with his mother, Gus is Robert's polar opposite in every possible way. When Gus holds Robert hostage at gunpoint during a drunken reunion gone terribly wrong, the drama unfolds as social status, celebrity and the imminent threat of violence converge, building up to a climax that will leave both men forever changed. -- (C) TribecaRelease Date Collaborator Jul 6, 2012 Limited
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Actors For Collaborator
Martin Donovan,Olivia Williams,David Morse,Katherine Helmond,Melissa Auf Der Mar,Eileen Ryan,Vivian Lanko,Julian Richings,Mary B. Ward,David Rasche,Mark C. Faser,Leslie Sykes,Phillip W. Palmer,Russell Yuen,Jim Pirri,Clive Henderson,Melissa Auf Der MaurGenres Collaborator : Comedy
Visitor Ranting & Critics For Collaborator
User Ranting Collaborator : 3.5User Percentage For Collaborator : 63 %
User Count Like for Collaborator : 1,572
All Critics Ranting For Collaborator : 6.1
All Critics Count For Collaborator : 24
All Critics Percentage For Collaborator : 75 %
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Movie Overview For Collaborator
A playwright whose marriage and career are in a free fall has an explosive run-in with his former neighbor, a right-wing ex-con.TagLine Collaborator
Can't we all just get along?Trailer For Collaborator
Review For Collaborator
Oddly, it's Donovan's performance here that proves the movie's weakest link, though his writing and helming tie for a close second.Gary Goldstein-Los Angeles Times
Morse and Donovan hold us rapt in this clearly told tale about identity confusion.
Adam Litovitz-Globe and Mail
What really matters is the interplay between two fine actors, the icy Donovan and the fiery Morse.
Peter Howell-Toronto Star
Both characters are riveting, and they even manage to earn most of the freight that Donovan loads onto his heavily ironic title.
Farran Smith Nehme-New York Post
An exceedingly earnest, high-minded hostage drama in which any visceral tension is secondary to topical debates by a captor and his prisoner.
Stephen Holden-New York Times
Writer-director-star Martin Donovan can't connect the dots; the film is a ponderous bore.
Andrew Lapin-NPR
...the movie's various problems [are] exacerbated by a complete and total absence of suspense or tension.
David Nusair-Reel Film Reviews
A witty and well-paced thriller.
Adam Nayman-Metro News
Overall, The Collaborator is the type of film that rewards repeated viewings.
Chelsey Grasso-Paste Magazine
Collaborator is a sharp and vital debut that keeps viewers guessing at all the right moments.
Chris Barsanti-PopMatters
A solid, character-based drama that speaks to the disappointments of middle age and mortality in general, Collaborator doesn't let anyone off the hook -- not even the viewer.
Katherine Monk-Vancouver Sun
Working with modest means, Donovan has created an intriguing chamber film very much in line with the idiosyncratic markers of his career so far.
T'Cha Dunlevy-Montreal Gazette
Collaborator is a gimmick movie, but the gimmick is sound.
Norman Wilner-NOW Toronto
It's a promising debut for the director and an intriguing study of characters facing desperate circumstances.
Todd Jorgenson-Cinemalogue.com
A quietly suspenseful, provocative and surprising directorial debut. It shows great promise in Martin Donovan's budding career as a writer/director.
Avi Offer-NYC Movie Guru
What takes shape is a character piece that makes a literary job of deconstructing the hostage thriller.
Michelle Orange-Movieline
In his debut auteurial flourish, writer-director-writer Martin Donovan proves himself a triple-threat bore.
David Noh-Film Journal International
The banter is playful and brazenly self-aware, but the ideas are a bit stale and don't lead anywhere emotionally substantial or narratively spontaneous.
Chris Cabin-Slant Magazine
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