The Brass Teapot is a modern fable about money and the meaning of the American dream. Based on the comic book, The Brass Teapot is a feature film about John (Michael Angarano) and Alice (Juno Temple), who live in small down America. They are in their 20's, married, very much in love and broke. Once voted "Most Likely to Succeed," Alice struggles to make ends meet while her friends enjoy the good life. Her husband John, neurotic and riddled with phobias, just wants to get the bills paid. But an accident leads them to a roadside antique shop where Alice is spontaneously drawn to a mysterious brass teapot. It isn't long before they realize that this is no ordinary teapot and that perhaps they have found the answer to all of their financial woes. The Brass Teapot is a magical comedy that reminds us to be careful what we wish for. (c) Magnolia
Release Date The Brass Teapot Apr 5, 2013 Limited
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Actors For The Brass Teapot

Juno Temple,Michael Angarano,Alexis Bledel,Billy Magnussen,Alia Shawkat,Bobby Moynihan,Stephen Park,Debra Monk,Lucy Walters

Genres The Brass Teapot : Mystery & Suspense,Science Fiction & Fantasy,Comedy

Visitor Ranting & Critics For The Brass Teapot

User Ranting The Brass Teapot : 3.4
User Percentage For The Brass Teapot : %
User Count Like for The Brass Teapot : 1,398
All Critics Ranting For The Brass Teapot : 4.8
All Critics Count For The Brass Teapot : 23
All Critics Percentage For The Brass Teapot : 26 %

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Movie Overview For The Brass Teapot
When a couple discovers that a brass teapot makes them money whenever they hurt themselves, they must come to terms with how far they are willing to go.

TagLine The Brass Teapot

Everyone Has A Price. What's Yours?Trailer For The Brass Teapot

Review For The Brass Teapot

Temple and Angarano, entertaining enough, never quite sell the idea that this goodhearted couple would be so easily transformed by greed.
Sara Stewart-New York Post

Without a human dimension to ground its construct, "The Brass Teapot" ultimately feels like an interminably stretched-out skit rather than a storybook lesson stained with blood and hurt.
Robert Abele-Los Angeles Times

Ms. Mosley, who directed from a screenplay by Tim Macy, struggles to fill her debut feature with a slender notion, but the premise defeats her, even if the story operates at the outset on the pleasure principle.
Joe Morgenstern-Wall Street Journal

The Brass Teapot too often devolves into stale slapstick ...
Stephanie Zacharek-NPR

There's not much depth to Mosley's debut, which is based on a short story by Tim Macy. But Michael Angarano and Juno Temple are an appealing pair as John and Alice, struggling suburbanites.
Elizabeth Weitzman-New York Daily News

Even The Twilight Zone would have struggled with the cutesy conceit of The Brass Teapot ...
Nick Schager-Village Voice

This oddball dark comedy might have made an amusing short film, but its one-note concept wears thin at feature length.
Todd Jorgenson-Cinemalogue.com

The screenplay falters, introducing ridiculous villains and featuring thorough lapses in logic in a blur of strained drama.
Robert Levin-amNewYork

Missing numerous layers of sickness, fearful of pushing a plot of pain on its audience, forcing them to study the complexity of unsavory desires with unlikable characters.
Brian Orndorf-Blu-ray.com

Wish-fulfillment black comedy engages through its winsome (if violent) premise and highly attractive leads, but shows some strain towards the end.
David Noh-Film Journal International

The story is set up and unfolds in a very subtle, nuanced manner that enriches each reveal.
Leland Montgomery-Paste Magazine

The Brass Teapot tries to force a moralistic, Twilight Zone-ish plot into an indie comedy, a task that proves impossible for first-time feature director Ramaa Mosley.
Josh Modell-AV Club

This dark comedy makes a few smart observations about the lengths people will go to snag the American Dream, but its satiric edge gets dulled rather quickly.
Tim Grierson-Screen International

If you happened upon "The Brass Teapot" on TV and it broke for a commercial, you'd probably change the channel.
Marshall Fine-Hollywood & Fine

Imbued with a buoyant mysticism, the film is more gag-friendly than idea-based, primarily relying on the considerable charm of its leads to ground its supernatural conceit.
Nick McCarthy-Slant Magazine