Zach (Lukas Haas) seems to be living the Hollywood bachelor dream - he's got a house in the hills, the phone numbers for dozens of beautiful women and a hard-partying lifestyle aided and abetted by his bartender pal, Dan (Jake Busey). It seems nothing can tie down this divorcée father, until he meets "Crazy Eyes" (Madeline Zima) - the one woman he can't have. As the two embark on a love-crazed, booze-fueled relationship, Zach's family issues begin to take center-stage, questioning whether or not this partying lost boy can step up to the challenge and become a man. -- (C) Strand
Release Date Crazy Eyes Jul 6, 2012 Limited
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Actors For Crazy Eyes

Lukas Haas,Madeline Zima,Jake Busey,Tania Raymonde,Ray Wise,Valerie Mahaffey,Moran Atias,Ned Bellamy,Laura Miro,Regine Nehy,Blake Garrett Rosenthal,P.D. Mani,Josh Thorpe,Harvey Shield,Natalie Floyd,Michael Pasternak,Bruce Gray

Genres Crazy Eyes : Comedy

Visitor Ranting & Critics For Crazy Eyes

User Ranting Crazy Eyes : 2.2
User Percentage For Crazy Eyes : %
User Count Like for Crazy Eyes : 1,534
All Critics Ranting For Crazy Eyes : 3.4
All Critics Count For Crazy Eyes : 18
All Critics Percentage For Crazy Eyes : 28 %

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Movie Overview For Crazy Eyes
Zack (Haas) is a young, divorced father who starts to develop romantic feelings towards his friend Rebecca (Zima), whom he refers to as "Crazy Eyes". He spends a lot of time at a bar run by his best friend Dan Drake (Busey) and hanging out with Autumn (Raymonde). As he pursues a sexual relationship with Rebecca, Zack grows increasingly aware of the importance of his son's role in his life amidst the failing health of his own father.

TagLine Crazy Eyes

Just another story about love
Trailer For Crazy Eyes

Review For Crazy Eyes

The resulting film has the integrity and the ugliness of the truth. It's not true because it's ugly; no, it's ugly because it's true.
Mick LaSalle-San Francisco Chronicle

There's no colorful Boschian absurdism here, only soulless banter and projectile vomit.
Sara Stewart-New York Post

One of those exercises in masculine self-pity and glib misogyny that frustrates because of its shortsightedness.
Robert Abele-Los Angeles Times

Yes, it feels true. But why bother?
Stephen Holden-New York Times

This slovenly, self-indulgent riff on Charles Bukowski-like fringe-livers has all of the naked harshness of Bukowski with none of the poetry.
Joe Neumaier-New York Daily News

An appreciation that the pain is personal doesn't compensate for the picture's self-absorbed need to alienate.
Lisa Schwarzbaum-Entertainment Weekly

Hedonistic playboy tries Platonic relationship in offbeat romantic romp.
Kam Williams-myfilmblog

A rare example of the "decadent LA" movie, once thought extinct.
Kelly Vance-East Bay Express

A hard sell unless you've got an appetite for self-destruction. Haas makes Crazy Eyes surprisingly digestible.
Marshall Fine-Hollywood & Fine

Just because the main characters are in a constant state of depression and angst doesn't mean the audience should have to wallow in their misery as well.
Todd Jorgenson-Cinemalogue.com

The film seems to aim for a gritty and real depiction of a drug- and drink-fueled not-quite romance, but it's in fact just your worst fears about the kinds of people who populate L.A. brought to ugly, misogynistic and sometimes maudlin life.
Alison Willmore-Movieline

The only audience likely to respond favorably to this vanity production about the slow, painful self-discovery of a rich, young Hollywood filmmaker would be other rich, young and screwed-up Hollywood filmmakers. But even they might be put off.
Shirley Sealy-Film Journal International

Sherman's feature turns out to be enamored of the kind of reality that gets left out of movies not because it's provocative or controversial, but because it isn't particularly interesting.
Sam Adams-AV Club

While the male characters are certainly not presented as models of enlightened behavior, their antics and crises are indulged in a manner not extended to their female counterparts.
Andrew Schenker-Slant Magazine

[VIDEO ESSAY] Matching the cold, callused, cynicism of Bret Easton Ellis's LA Gen-X "Less Than Zero," "Crazy Eyes" is too much in love with its spoiled brat protagonist. It is still a guilty pleasure in the theater of cruelty.
Cole Smithey-ColeSmithey.com

Crazy Eyes feels a bit like a more light-hearted Leaving Las Vegas or a more energetic Somewhere -- comparisons that are meant as compliments.
Kate Erbland-Film School Rejects